Wednesday
at the Square Returns to Downtown
Music, food, and fun are welcomed back on Wednesdays in
the CBD
The Downtown Development District (DDD) and the Young Leadership
Council (YLC) have announced the return of Wednesday at the Square,
a free 12-week concert series in beautiful Lafayette Square on St.
Charles Avenue across from Gallier Hall. The seventh annual Wednesday
at the Square concert series will be held Wednesdays, April 5 through
June 21, from 5:00 p.m. until 7:30 p.m. Wednesday at the Square
will feature the same arrangement as in previous years with one
main music stage, food from many of New Orleans' famous restaurants,
an artist's village featuring local artistic talent, and a children's
area.
For more information, visit www.wednesdayatthesquare.com
The concert schedule is as follows:
April 12: Nathan and the Zydeco Cha Chas, Lil'
Nathan.
April 19: Theresa Andersson Group, Ghost Town.
April 26: BeauSoleil, Amanda Shaw and the Cute
Guys.
May 3: Marcia Ball, Washboard Chaz Blues Trio.
May 10: The Radiators, Beatin Path.
May 17: The Iguanas, Yeah You Right.
May 24: Anders Osborne, Storyville Stompers Brass
Band.
May 31: Cowboy Mouth, Kipori Woods.
June 7: Subdudes, Jim McCormick.
June 14: Sonny Landreth, Robert Fortune Band.
June 21: The Chee Weez
Home
IT caught me totally unaware. Even after weeks of listening to
Eric Paulsen and Sally Ann Roberts interviewing head specialists,
warning of the delayed appearance of depression, I still didn't
see it coming. I hadn't cried since living in Lafayette, and after
all, here I was, ensconced in a new neighborhood that Pat and I
had always talked about moving to. We were in a house that met all
of our needs and more. I had spent months filling the empty rooms
with furniture and pictures. I had even rescued favorite pieces
of pottery from Milne that I managed to sprinkle around the new
place so that I could give myself the illusion of continuity from
old to new - to what was, and now, what was to be. And it really
worked for awhile. I had, rather unknowingly I must admit, tricked
myself into believing that I had pulled it off. We had been so fortunate
to find this “perfect” house, to avoid the waiting game - to raise
or raze. We had bravely moved on, embraced our new life, and learned
the names of all of our new neighbors. No longer would I worry about
our slab house being so far below the SFE, I think that's Standard
Flood Elevation (part of our new vocabulary). My cracked patio could
now continue to sink without one bit of worry from me. If those
persistent termites wanted to chew on my wood one more time, I'd
set the table for them.
And then, just yesterday exactly seven months and twelve days after
The Thing (thank you Chris Rose), I wanted to go home. I wanted
my slightly less than perfect house back. I wanted my old neighbors
to be on either side of my home and I wanted to see the newly blooming
crape myrtles running gloriously down the Milne neutral ground.
I wanted St. Dominic to have pews and not folding chairs and I wanted
to see those pews filled, like they used to be, with people living
their lives like they always had. I was tired of riding around broken
neighborhoods all over this city. I was tired of the politicians
promising everything when I knew that not one of them would be able
to deliver on their promises.
Maybe it has something to do with spring - the whole rebirth thing.
Maybe there just weren't enough azalea bushes to get me going, to
offer me promise, to signal normalcy. Because that's what home is - that deep down inside-of-you, everyday normalcy. It's the composite
of your memories and your dreams, your sanctuary. It's the structure
that takes a lifetime to build, not just seven months and twelve
days.
And so I allowed myself to grieve, to face its ugly countenance,
to recognize the continuing power The Thing still has over us. But,
tomorrow is a new day. And we must go about the business of redefining
what home is and where it will be for all of us. We keep telling
ourselves it's going to be okay and I know it will be. Maybe what
I need to do is hang a little sign that says “Home is Where the
Heart Is,” and let that work its magic while we get busy with the
task of making this new house our home.
- Elaine Gootee
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Teaching on Canal
Street
Below is an excerpt of a film transcript for a new oral history
project by New Orleans writer Kevin McCaffrey. On Sunday, March
25th 2006, McCaffrey is interviewing Laurie Mayer, a schoolteacher
in New Orleans. At this point in the interview, McCaffrey queried
whether or not anything positive has resulted from the storm.
Laurie Mayer: I think a wonderful thing that has
come out of it for me is that I am teaching post Katrina children
who have been through a lot of devastation and sadness in their
lives. (tears up) I am working with them everyday, teaching them.
And they are teaching me wonderful things. They are wonderful kids,
and this is the future of New Orleans. And I am so happy to be a
part of this. And I take this very seriously. I think it is an important
job, but I also love what I am doing. I feel like these kids are
what's going to be up there next. It's very important. I'm at a
Catholic school in New Orleans.
Kevin McCaffery: What school?
LM: St. Anthony of Padua on Canal Street which
was devastated. The principal worked very hard to get the school
back. We're at half capacity... the whole area is devastated. There
is nobody living in the neighborhood, but the kids come every day.
We're teaching them in the most normal possible way we can. We're
having a fair, doing all the fun things that schools do. And it
feels good to me that I am a part of rebuilding because I am rebuilding
the children of New Orleans and I think that is a very special and
important thing to do. I am very honored to do it.
KM: I think the reopening of the schools, and
the questions around that, and the questions of race, etc., economics
and all, are going to be, we think, if you watch the schools, the
report card of the health of the city as it rebuild. As far as you
say you're at half capacity. What is the mix? Is it the same kids?
Is it different kids? What is the mix, racial mix compared to, religious
mix even, you're a catholic school...
LM: Right, we're a Catholic school. In my class,
of which I can speak for sure, ninety percent are old St. Anthony
students. The other ten percent, maybe not quite that much, maybe
more like ninety-six or ninety-four percent, most of them are St.
Anthony. We are taking in other students. Other schools, I think
like Resurrection in New Orleans East and there are a couple of
schools that haven't reopened and they're coming to us. One or two
public school kids, but mostly Catholic schools. We're not turning
anybody away. We're accepting everybody. The mix is a beautiful
mix. Black, Hispanic, and white, and that's what I liked about St.
Anthony before I even got there. It's just so cultural. Middle class,
some poor, some upper class, mostly middle class, working parents
very much involved with their kids, or as much as they can be now
because they are mostly working on their homes and jobs. The kids
are beautiful, wonderful kids who want to learn and want to be in
a normal school situation.
KM: Is there extra counseling for them?
LM: We have a counselor, yes, I'm not sure if
they're extra or not. Most of the teachers there, I was very lucky,
most of the teachers there have no homes. They came back to school
and teaching kids and working on their homes. This is very admirable.
I'm lucky: I don't have to do that. The atmosphere is so warm and
loving that there is counseling going on all the time. It's not
like we're pulling kids out to counsel them. It's just listening
to their stories, being there, hearing them... empathizing. When they
are hearing each other's stories, I think helps them. And some are
in better situations than others, but just the fact that they're
back together with their friends I think is a tremendous plus for
them.
KM: It's important to have community.
LM: Pardon?
KM: Important to have a sense of community...
Jan: And a sense of normalcy...
LM: Yes, it's definitely creating a sense of normalcy
and community... we're having a fair... so it's definitely a very community
spirited minded endeavor for the school.
KM: Would you say that the kids are more open
to experience and different cultures?
LM: I think they were very culturally diverse
already, so that's nothing new to them.
KM: How do you teach them to deal with devastation... the
physical environment?
LM: They know they are comfortable where they
are, they're very secure. We talk about it through their stories.
We write a lot of stories; we do a lot of art work. I am not a psychologist
but I feel like this helps them.. I had this one little boy.. we were
talking about thank you notes... we had to write a thank you note,
and his was not a thank you note. It was a Katrina note. And it
was very sad. But, he got his feelings out and it was wonderful
that he was able to express how he felt about it. Because he had
some very angry things to say. And very sad things to say about
his family, but he put it on paper.
KM: Can you tell me the specifics, you think?
LM: Let's see. We had to write a thank you note.
And he said, “Katrina, why were you so terrible to me and my family?
Why did you come and do this. I'm not living where I want to be
living. And I hate you.” It was a little short note. Kind of basically
what he said. “Why did you do this to me?”
KM: Just out of curiosity, what culture was he
from?
LM: African American.
KM: It sounds like it wasn't something... He wasn't
repeating his parent?
LM: Absolutely not. No. We've actually... the principal
of the school... there have been so many communities around the United
States that have helped our school in particular...so, our task over
the last couple of months, the kids have tried to write thank you
notes to fifty or sixty different schools. What we did, we got,
my class and every class...tell us about your Katrina experience...
we sent the written experience to each community in a group letter...so
two months ago, every student wrote their Katrina experience...“I
went to this school...I went to that school...I stayed with my grandma...I
stayed with my aunt”...so they all wrote down their Katrina evacuation
experience and then we'd attach a thank you note. “Thank you for
thinking about us, this was my experience...” Some were evacuated
for months and months and months and were in shelters, some were
in different schools, and I think that has an effect on them. Many
of them were safe, just different. They came back to their homes,
many of the homes devastated. Some of them weren't. The ones who
were not devastated, recognized that they were very lucky, compared
to their friend who wasn't. The ones who were living in a trailer,
it's very interesting...they're accepting it...one little boy has four
brothers and sisters, five kids, two parents, in one FEMA trailer,
living there month after month after month.
KM: In front of their devastated home?
LM: No, they worked for Ursuline, so they are
at Ursuline campus...they house them...but it's seven people. I've been
in a FEMA trailer and they are very tiny. And he comes to school
happy every day. Which is kind of neat. I think he has good support
at the school and with his family. I think his family is very supportive.
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